How each Inotrak plugin works - what every control does, the moves it was built for, and the quick start to get sound fast. A lot of this suite is unusual, so each manual explains the why, not just the what.
An FFT mix analyser that doesn’t just show you problems — it fixes them. It sits first in every track’s chain, gain-stages the raw signal, and builds one live p…
A clean, modern VCA compressor with real character stages — not an emulation of one classic box. Transparent when you want it; but the pre-drive saturates into …
Far more than an EQ. Everything a regular parametric EQ does, then: a full dynamic EQ on every band (turns down when loud, up when quiet); its own distortion pe…
A reverb built on a custom 8-line feedback delay network (Plate / Room / Hall), feeding Denzel’s dynamic-EQ + multiband-distortion engine applied to the wet sig…
A clean digital multi-tap delay — up to eight taps reading one shared circular buffer, with global feedback, tempo sync and stereo width — feeding Denzel’s dyna…
A modern gate / expander / ducker — one engine, Gate or Ducker mode, with an internal or external sidechain detector (own HP/LP + Listen), Peak/RMS/Auto detecti…
A dual-band de-esser / ess-restorer built on a subtractive split-band engine — at rest y = x exactly, so there’s no phase smear on non-sibilant material. Each b…
The bus-plugin coordinator for a stack of Tyson de-essers. Put it on the vocal aux, give it and every stacked Tyson the same GROUP name, and it budgets de-essin…
A true-peak brickwall limiter for the master or bus. One shared oversampled path carries a pre-limit distortion stage into a lookahead true-peak limiter, then a…
A mono acoustic-DI channel strip: it turns a thin, quacky acoustic DI (piezo / magnetic / SBT) into a mic’d acoustic through a PA in a room. A full series chain…
A guitar amp built as an ORDERED RACK: the eight amp stages (Gain, Drive, Bass, Mid, Treble, Presence, Power, Cab) sit on one signal chain, and you DRAG PEDALS …
The G-Root ordered-rack amp, bass-voiced, with a SPLIT front end: an LR24 crossover divides the input into a SUB band and a HIGH band. The sub is heavily compre…